Endhanerchina

 Raagam: Shudhadhanyasi 

Sa ga ma pa ni Sa(top dot)

Sa (top dot) ni pa ma ga sa 

Thalam: aadi

Pallavi

Things to note here. The lines start at the mid of the first finger in aadi talam.
First adi is left, first finger when it is is midway, start singing.

This pattern is consistent on all the lines across the pallavi

As is typical, first sangathi is plain, second sangathi has some level of tone variation, 
 third sangathi has even more tone variation.. 

Sangathi one 
endhanerchina endhajoochina(2 times)

Sangathi two 
endhanerchina endhajoochina(2 times)

Sangathi three 
endhanerchina endhajoochina
endhavaaralayna kaanthadaasule.. 

(2 times)

landing
endhanerchina.. 

Anupallavi

Here again, the pattern of having the song start in the mid of first finger is seen.

Sangathi one
Santhathambusree..  , eeeee (2 times)
-- first santhatham starts at mid-first finger
-- The connecting e,e,e,e starts at mid of adi, so that the santhatham can again start at mid of first finger

Sangathi two
Santhathambusree..  , eee, eeee, eeee (2 times)
The long extenstion of sree in the first sangathi is broken down as 
 eee, pause, eeee

The next pause and the eeee after that is the same as sangathi one

Sangathi three
(
Santhathambusree kanthaswanthasee
dhanthamainamarga chinthalenivaa 
  2 times)

pallavi - third sangathi

endhanerchina endhajoochina
endhavaaralayna kaanthadaasule.. 

landing
endhanerchina.. 

Charanam


charanam sangathi one
parahimsa para bamanyadhana (2)
charanam sangathi two
(parahimsa para bamanyadhana
paramanava, apavadha (2))

parajeevanaaaaa, aaaa
parajeevana, aaa, aaaa, aaaa (2 times)

The long extenstion of jeevanaaaa  in the first sangathi is broken down as 
 aaa, pause, aaaa

The next pause and the aaaa after that is the same as sangathi one

(parajeevana, mulakanrithame
bhashincharayya, thyagarajanutha (2 times))

pallavi - third sangathi

endhanerchina endhajoochina
endhavaaralayna kaanthadaasule.. 

landing
endhanerchina..